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Darn It

I’ve been wanting to knit a pair of hats, the southern and northern hemispheres.  I found some Queensland Collection Kathmandu DK tweed that looked perfect.  The colors are perfectly earthy.  I found a map of the world, played around in Illustrator, and made a map 100 stitches wide.

My first problem was placing all the shaping along the edges, which looks great on a map, but would make for a funky hat.

So I adjusted everything to be a projection map, and decided to start work at the north pole. Here’s North America:

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Does it look a little weird? Take a look Asia:

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That doesn’t look right. Europe?

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Darn it. Darn it! I get to rip out all this glorious intarsia and decide if I want to flip the chart or work from the bottom up. Sigh….

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The Difference a Decrease Makes

I’m working on a new sock pattern, and used a stitch pattern from one of the new Harmony Guides. The book calls for a double decrease worked by slipping one stitch, then knitting two together, and then passing the slipped stitch over. It gets the job done, but I just wasn’t happy with the look. So I did some poking around and found a different double decrease in an old Knitty article.

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The original increase was flat, but looked sloppy with that long loop. The new decrease creates a high ridge line that pulls the look together wonderfully. To work this decrease, I slipped two stitches at the same time, knitwise. Then I knit the next stitch, and passed the two stitches two slipped stitches over the one I had just knit.

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You can see that the first two “scales” were done with the old decrease, and the rest with the new and improved method. I probably should have ripped it back and done the entire sock in the new method, but I wanted to be able to show the difference in decreases.

And the sock?

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Gorgeous. Pattern forthcoming. Any ideas for a name?

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Knotions Magazine

The first issue of Knotions just went live, and I am so excited!  Knotions’s tag line is “Knit Smarter”, which is my constant goal with my knitting.  The patterns are gorgeous, and I can’t wait to dive into them.

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But to be honest what I am really excited about is my pattern, the Child’s Saddle Yoked Sweater.  I am so proud of my very first published pattern.  Jody has been great about “refining” some of my bad ideas to make a great pattern.

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You can see all the details at knotions and on Ravelry. I hope you enjoy!

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All Around the Mulberry Bush

A few months ago Grumperina did some fabulous tutorials on spiral knitting. Her socks inspired me to play around with some stash yarn and make a baby sweater.  I used one ball of Swish DK in Moss and three in Nutmeg.  The effect isn’t nearly as bold as the original socks, but with more colors you could easily make this sweater as bright as you like!

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The key to spiral knitting is that you use all four balls of yarn at once, and each color builds on the next, so that there is never a “jog” in the knitting at the end of the round.  As I worked this sweater I couldn’t help but imagine my yarns chasing each other round and round, but never catching up until the very end, and so of course the classic nursery rhyme “popped” into my head!

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Monkey Chased the Weasel is worked from the top down, primarily in the round.  The hems are worked in garter stitch, and the end result is that this entire sweater is constructed using only the knit stitch (and a few decreases).  No purling required!

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Any DK weight yarn can be used, in two-four colors.  Using more colors does not increase the difficulty at all, so have fun with color!  You will need between 100 and 200 yds of each color, depending on the size you choose.

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Monkey Chased the Weasel is available for download from the sidebar. Just click the picture to get more information.

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Slalom

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These socks were born from a flip through Barbara Walker’s Third Treasury of Knitting Patterns, the one with all the cables.  This cable pattern jumped out at me and told me right where to place some increases so that it would fit Cat Bordhi’s sockitechtures from her New Pathways for Sock Knitters book.

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This was a rare pattern that just came together perfectly the first time.  The cables pulled in the leg just so, the increases were just enough to make it hug my ankle, and the heel ate up the right number of stitches to make the foot fit like a dream.

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Jaime France test knit these socks for me, and she provided the pictures of the noro socks you see here.  Jaime is madmamaknitting on Ravelry, and has a blog.

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The socks have had a great reception on Ravelry, with over 100 “hearts” in less than 24 hours.

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The pattern is available on Ravelry, on the “Patterns for Sale” page here, and at my Etsy store.  The pattern is written with charts alone.  If you want the pattern but hate charts, let me know.  If there is enough demand I will write out the directions as well.

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A New Pattern

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I decided a few weeks ago that I am just not going to be able to maintain this as a regular blog for two reasons.  For one, I just don’t have the time to write as well as I’d like to as often as I’d like to.  And more importantly, I am hesitant to show off most of my knitting because I rarely know if I plan to self-publish or send out the pattern.

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I do have some knitting for you today, though, in the form of my newest socks.  I got the idea for these socks the first time I flipped through Cat Bordhi’s New Pathways for Sock Knitters.  I took the idea in the Coriolis pattern, and used a cable as the coriolis band.  It took some tweaking to get the band to twist around the ankle correctly, and work out the gauge since the cable pulls in the sock more than expected.  But the rest of the sock is worked in ribbing, which helps balance out the pattern.

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The socks pictured here were test knitted by Miki Ballard, and these are her excellent pictures.  The pattern is for sale for $4 on the “Patterns for Sale” link, or on Ravelry or Etsy.

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Knitting from the Top

I checked out this book from our library again, and I think I’m going to have to buy it.  I just love it, because Barbara Walker seems to love knitting in the round just as much as I do.

I was poking around the set-in sleeve chapter, and discovered that you can do a simultaneous set-in sleeve.  In the round!  Yoke and sleeves all at once, but it’s not a raglan!

So I am trying to design a t-shirt using this method, but I already am a tad confused.  I think this is going to be a multiple frogging project.  The yoke starts with short rows to shape the shoulders, and you are supposed to pick up stitches and work in the round when the piece measures 1/3 of your total needed length.  But the piece is at least two inches thicker in the middle than at the edges, where I would be picking up the stitches.  So where to I measure?  The middle or the edges?

A few people on Ravelry seem to have done this type of sweater, so I’m going to ask them what they did.  I hope I can make this work!

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Not Knitting

I really have been knitting quite a lot, but most of the projects I am working on will hopefully be published some day, and so I can’t share. The $1.50 cardigan is progressing slowly at knit night. I blame the people at Namaste. Lynn had a new Laguna in, and I was spent way too much time petting it and talking myself down from buying it. I do have a birthday coming up, however….

Since I can’t show my knitting projects, I’ll show off my home improvement projects. I had intended to do this for the past two years, and finally got around to it this weekend. I dug out a 6′x6′ area to about four inches down, and dumped a bunch of sand to help level it out. BTW, sand is heavy! I had no idea.

When we bought the house I kept discovering these hexagon paving stones all over the yard. I gathered them up and started paving.

I was perfectly willing to to leave the edges rough, but the stones were remarkably easy to break. I had a lot of fun whaling on them with my hammer and a pick. And it made the area look great.

I put some special “sealing sand” in the cracks, and watered it down. It’s supposed to cure in 12 hours, but it’s still damp this morning. I’m sure a few hours of Tucson heat will take care of that. I’m going to put the gas grill out on this new patio so I can have the entire main patio for our new glass table. We should be able to eat outside now!

I wanted to reward myself after all this hard word, so out came the dark chocolate, and my new mug from Jennie the Potter. I love this mug.

And it’s great for hiding my wine!

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Knitting Charts 201

Cables on a Chart

Cables are not always charted, but when they are it makes working the project much easier since, as I’ve said before, charts are visual. Working cables can be intimidating at first, but once you work a few you realize that all that is involved is working a few stitches out of order. The only hard part is remembering if that first set of stitches is supposed to be held to the front or to the back.

When you’re working from written directions it is typically written out exactly what to do. But on a chart you have to look at the cable symbol, then check the key, and finally work your cable. Some patterns have multiple types of twists (Trellis, for example, has six!) and it can be frustrating to go back and forth from chart to key every time you come to a cable, since of course you want to make sure you’re doing it right.

But when you learn to really look at the chart, you won’t need the key! Take a look at this cable in Keri Williams Jeanie pattern.

I’ve added the pink arrows to make it clear that the first four stitches you will come to (remember, we’re working from right to left!) need to go behind the second set of four stitches. This means that you will hold those four stitches to the back, work the next four, then work the first set of four from the cable needle.

You can see that by trusting the chart, and looking carefully at where the stitches are meant to go, you can start zipping along rather than stopping to read the written out instructions every time you come to a cable. Just one more way that the visual nature of charts makes your knitting easier and faster!

Lace Charts

Lace is probably charted more than any other type of knitting, and for good reason. Charts allow you to have a large amount of information in a small space. The variety of types of lace out there make it impossible to generalize about lace charts. There are a few good guidelines to make sure you avoid common mistakes.

First of all, read the key and make sure you know how to work the various types of increases and decreases that you will be using, and try to understand why each symbol represents each item. An open circle typically represents a yarn over, since that increase creates a small hole in your knitting. K2tog is often represented by a forward slash (/) because it is a right leaning decrease. SSK, however, leans left, and so it is often represented by a backslash (\). Understanding little tricks like this will allow you to move along in your knitting rather than checking the key every time you come upon a special stitch.

The absolute most important thing to look for when knitting lace, however, is the numbers along the side of the chart. Remember that items worked flat have numbers bouncing back and forth from right side to left side, while items worked in the round have all the rows numbered up the right side. Lace adds another wrinkle to this issue.

It is common for lace patterns to have all the “fussy” stitches done every other row, leaving the rows in between to be worked “plain”, typically just purled straight across. If this is the case, the chart only shows the rows that have increases and decreases worked. The plain rows are simply not there.

Lankakomero’s Frost Flowers Top has a chart that shows what this looks like. (Yes, this chart has other languages on it, but it has English too. It’s okay.)

Notice that the rows are only numbered up the right side. But there are only odd numbers — 1, 3, 5…. Where are rows 2, 4 and 6? They are worked plain, in this case, purled.

Every now and then you will hear of a beginning knitter who tackled her first lace project, only to end up a jumbled mess that was way too small. She didn’t work the wrong side rows plain, and so all those carefully planned increases and decreases didn’t match up, and if you skip every other row of the pattern you’re going to end up with a very short scarf!

Be sure to read the pattern, and always look at those row numbers. If some rows aren’t numbered, figure out why before you start knitting, and remember to work those rows even though they aren’t in the chart. Think of the rows worked plain as a little vacation for your brain before you have to concentrate on the chart again

“No Stitch”

It is not uncommon to see a grey box on a chart that is keyed with the text, “no stitch”. This can be quite confusing until you realize what it means.

Before I get into that, let’s tackle the myth that each box on a chart represents one stitch. That’s just not true. Let me explain why:

If your entire chart is all knits and purls with no shaping, then every box does represent a stitch. But many charts include some sort of shaping or fancy stitches. And this can mess with the stitch count on each row. Think about a simple decrease: k2tog. As you work a k2tog, you use up two stitches from the left needle and produce one stitch on the right needle. So does that count as one stitch or two? Or consider the most common increase in lace: the yarn over. This doesn’t use any stitches from the left hand needle, but it does produce one on the right hand needle. Does that count as a stitch?

Until you start designing your own charts, don’t worry about those questions. Just know that the convention is that every action that you take, be it an increase, decrease, or even a bobble, takes up one box on your chart. But since some of those actions take up or produce more than one loop on your needle, the number of stitches from row to row doesn’t always add up. This fact, along with various shaping and other issues, can result in some rows in your chart that need more boxes than other rows.

To allow for this fact, sometimes a box is inserted into the chart that has no meaning. It isn’t meant to be knit, slipped, or worked in any way. It’s not an action. The box is simply a place holder to make sure all the other boxes line up properly. So when you come to a “no stitch” box, just ignore it and move right along to the next box that does have an action for you.

I love this example: MJ’s Liesel chart tells you just what to do with those shaded in boxes. Just ignore it!

Knitting Charts 101

Knitting Charts 102

Knitting Charts 201

Knitting Charts 202

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Sleeve Cap Trouble

I did manage to complete the sleeve for the $1.50 cardigan in time to block it before knit night.  I did get gauge and love the fabric.  I’m a little worried, however, about the sleeve cap.  My finished cap is just a smidge shorter than what is called for, but even the height given in the pattern seems awfully short.

There are two places in the sleeve cap where I could add another row or two and still be following the pattern, so I might be ripping back this little bit.  But first I want to make sure that just 5.5″ is enough for a sleeve cap.  If the arms are tight, I won’t wear it, and I really want to wear this!

I am working on the next post in the charts series, but having a little difficulty finding free patterns with good charts, and getting the designers to agree to let me reference the chart.  I am really surprised at how few patterns include a chart.  Maybe I should do a little bit on how to use Excel to create simple charts as well…

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